Ursula Damm

Born in Germany, 1960

Ursula Damm has become known for her installations dealing with geometry and its social impact on public pace. Since 1995 these installations became interactive, responding to architectural aspects with video tracking technology (www.inoutsite.de). She has developed numerous installations on the relationship between nature, science and civilization (Venus I-IV or Double Helix Swing ─honorary mention Ars Electronica 2006─). She has had solo exhibitions, among others, at the Goethe House, New York; Neuer Aachener Kunstverein, Aachen; Kunstsammlung NRW, Düsseldorf. Her work has also been featured in group exhibitions at, among others, CAAC-Centro Andaluz de Arte Contemporáneo, Seville; Ludwig Forum for International Art, Aachen; Centro CulturalConde Duque, Madrid; Wallraf-Richartz-Museum Cologne; Ars Electronica 1999; ISEA 2002, Nagoya. She currently works on an interactive installation for a public place at the Metro-Station Schadow strasse in Düsseldorf. Since 2008 she holds the chair of Media Environments (Media Arts & Design) at the Bauhaus-University Weimar.

Membrane (2019)

Interactive artificial intelligence (AI) video installation: computers, industrial cameras, custom-made console, speakers, sound interface, projectors

When the butterflies of the soul flutter their wings
11
Dec
2020
24
Apr
2021

Art, neuroscience and artificial intelligence

Greenhouse Converter, 2008

Cybernetic-model, consisting of waterfleas (daphnia magna), algues (Hydrodictyonreticulatum, volvoxglobator), LEDs with changing colours; pump, monitor, camera, waterfountain

el proceso como paradigma
23
Apr
2010
30
Aug
2010

art in exchange, flux and development

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  • Los Prados, 121
  • 33203 Gijón (Asturias)
  • Spain
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